Netflix’s newest rom-com To All the Boys I’ve Loved Before is bringing out a radical softness in its audience.
To All the Boys I’ve Loved Before is catnip for the rom-com lover’s soul.
With rom-coms coming back and conversations about representation constantly raging, Crazy Rich Asians fulfills a desire to both escape and move things forward. (Warning: Light spoilers ahead.)
From a browner, queerer cast of characters to deep roots in Jane the Virgin, here’s what you can expect from the Charmed reboot.
Speaking to BuzzFeed News, Stenberg reflected on how she harnessed buzz around racist backlash and used it for good.
“It’s about a person feeling anxious in a weird time, and he is also a person feeling anxious in a weird time,” Eighth Grade star Elsie Fisher told BuzzFeed News.
“Any good piece of art should make you want to engage with the world more,” Sorry to Bother You director Boots Riley said.
"I want everyone else to have that freedom and support that I have from my loved ones,” she said.
Can a movie named after a white woman still lift Native voices?
Come on, let's make this the summer of the romcom.
“We know that we can’t speak to everybody’s experience, but we can speak to Kat’s experience,” said The Bold Type showrunner Amanda Lasher. (Warning: Spoilers for the episode.)
It’s time to stop treating every women-centered movie like it’s a litmus test to prove women’s worth in Hollywood.
The whole film is a delight. But Hathaway is the standout.
The Fosters, which ends next week, always had a knack for being eerily timely.
Just in case you need a summer fling with your TV.
As we say goodbye to these two landmark characters, it's time to pay tribute to what they gave audiences.
Since Juno, Cody has proven that what she’s really invested in is the brutality of the pressures society puts on (white) women.
The NBC comedy is a reminder of what tortured fun the will-they-or-won’t-they sitcom romance can be. (WARNING: Spoilers for the Season 3 finale within.)
The opening of Cursed Child on Broadway serves as a reminder that representation matters, even when you have to make it for yourself first.
“People will see it and won’t have a question in their minds about where the heart of the movie is,” said codirector and cowriter Marc Silverstein about the film starring Amy Schumer.