How To Take The Perfect Vertigo Photo

Maitland loves urban exploration and he's been photographing Detroit for years. "Some of these buildings I've been to 50 times each," he says, "and I wanted to show something people haven't seen before." So he climbed up an old building in Windsor, across the river from Detroit, threw his legs over the edge and started shooting.

"The only process is, I poke my head over the edge and see if I can see something interesting, maybe a pattern," says Maitland. An odd texture on the side of the building will help give it extra depth, as will something like a fire escape.

For maximum disorientation, look for symmetries and exploit them. This'll give the composition an almost Escherian quality.

Maitland shoots with his aperture set to f/11, which helps keep both his feet and the ground sharp. "That's just a trick of photography — bringing everything into focus," says Maitland. The effect is surreal because even the human eye doesn't really see like this — normally your eye would focus on either the close thing or the distant thing. With a closed aperture, you can focus on both.

Most of Maitland's shots were taken with a 10-20mm lens. "Part of the benefit of the lens," he says, "is the distortion factor — people aren't used to that wide of an angle."

Set your camera's shutter to at least 1/200th of a second. In combination with the tight aperture setting this may make it hard to get enough light in the shot, but Maitland says you don't really have a choice: "When you're sitting up there, you hands are going to shake." Crank up your ISO settings if you have to.

The vertigo effect has as much to do with the shoes in the foreground as it does the ground. Maitland prefers Nike 6.0s. I think flip-flops would be great, too, just dangling there.

If you must take a puke-shot of an abandoned elevator shaft, try to get permission.

You'll probably just end up killing yourself. Leave it to the pros.